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Pan's Labyrinth: The Pale Man Scene

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Guillermo Del Toro's "Pan's Labyrinth" contains a scene in which Ofelia visits The Pale Man. The first shot is a tracking back extra long shot, in which the mise-en-scene is brighter and golden in colour. This shows the audience that the fantasy world is a brighter and less harsh place compared with the darker blander reality. The shot is filmed with a one point perspective which causes the effect of a long hallway which juxtaposes that of the little girl. This makes Ofelia seem smaller than she is and makes the new magical world seem large and grande. The mise-en-scene also has the effect of causing the audience to doubt the safety of the world because the pillars have connotations of overpowering strength and therefore means that we are scared for Ofelia. Then a few shots later the juxtaposition between the two worlds is highlighted by the mid shot showing Ofelia leaving reality behind. The mise-en-scene of the dark grey walls, that look grimy a
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"Blade Runner" and "The Lady From Shanghai"

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