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Pan's Labyrinth: The Pale Man Scene

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Guillermo Del Toro's "Pan's Labyrinth" contains a scene in which Ofelia visits The Pale Man. The first shot is a tracking back extra long shot, in which the mise-en-scene is brighter and golden in colour. This shows the audience that the fantasy world is a brighter and less harsh place compared with the darker blander reality. The shot is filmed with a one point perspective which causes the effect of a long hallway which juxtaposes that of the little girl. This makes Ofelia seem smaller than she is and makes the new magical world seem large and grande. The mise-en-scene also has the effect of causing the audience to doubt the safety of the world because the pillars have connotations of overpowering strength and therefore means that we are scared for Ofelia. Then a few shots later the juxtaposition between the two worlds is highlighted by the mid shot showing Ofelia leaving reality behind. The mise-en-scene of the dark grey walls, that look grimy a
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High Maintenance (2006)

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Phillip Van's science fiction short film, taking place in what seems to be matriarchy, explores the idea of robotic partners. The opening sequence shows a couple having a romantic candlelit dinner. From an over the shoulder shot we see the husband in his work clothes, they suggest that he is quite uptight and not very relaxed because of their formal nature. As the scene progresses, the wife gets annoyed with the lack of romance coming from his end, gets up and turns him off, revealing the fact that he in fact a robot. After ordering an upgraded model with customised features the earlier scene begins again, this time with her ideal man. As the film is a science fiction short, the audience is expecting a twist and we see a repetition of an earlier shot, showing the new husband as almost entirely identical. suggesting that the situation will play out in the same way, leading to the wife's continued frustration. This theory seems to come true as he refuses a drink for the second
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"Naturity" evaluation

Featuring only one character, “Naturity” is the tale of Man, a businessman lost in the wilderness, who finds a new meaning to life due to being exposed to nature. It follows a simple narrative: Man’s quest to return to civilisation, however, features a shocking twist. When Man finally returns to society, he has embraced the natural world so that he no longer feels welcome in the urban environment. The audience is meant to sympathise with Man throughout, because at the start he is ordinary and easy to relate to in the fact that he is a modern urbanite, therefore an active audience would hopefully align with him. The message of the film is meant to speak directly to the audience because the character that they align with learns a lesson that consequently challenges beliefs about the modern world. During the night scene, the audience should be noticing the clear parallels between Man and his Neanderthal ancestors, who whilst considered primitive were infinitely more natural in the way t
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