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Pan's Labyrinth: The Pale Man Scene

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Guillermo Del Toro's "Pan's Labyrinth" contains a scene in which Ofelia visits The Pale Man. The first shot is a tracking back extra long shot, in which the mise-en-scene is brighter and golden in colour. This shows the audience that the fantasy world is a brighter and less harsh place compared with the darker blander reality. The shot is filmed with a one point perspective which causes the effect of a long hallway which juxtaposes that of the little girl. This makes Ofelia seem smaller than she is and makes the new magical world seem large and grande. The mise-en-scene also has the effect of causing the audience to doubt the safety of the world because the pillars have connotations of overpowering strength and therefore means that we are scared for Ofelia. Then a few shots later the juxtaposition between the two worlds is highlighted by the mid shot showing Ofelia leaving reality behind. The mise-en-scene of the dark grey walls, that look grimy a...
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When the Day Breaks (1999)

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Tilby and Forbis' short film uses animalised characters making it an allegory of everyday urban life. The film starts with a rooster eating toast, after watching him butter it we see a mid-shot of the animal, who is quite clearly meant to represent a man. From the mise-en-scene of the braces, the wrinkles under his eyes and the old-fashioned glasses we can tell that he is meant to represent an old man. The fact that he's been animalised sets the film up to be a children's cartoon however, from the fact that the colour scheme is so worn out and dull, we can conclude that this will be a more serious portrayal of life that isn't as vibrant as a children's cartoon would be. As the film continues, we see a mid-shot of two rodents smoking, this feels uncomfortable to watch because as a society it is deemed wrong for animals to smoke. The fact that these rodents represent humans, forces the audience to explore the idea of smoking being wrong for all animals, including...
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